Autographed PATRICIA NEAL Lobby Card WASHINGTON STORY 1952 signed in person! VG+

Description

(This looks MUCH better than the picture above.)
Autographed PATRICIA NEAL Lobby Card WASHINGTON STORY 1952 signed in person!
This 11 x 14 inch Lobby Card would look great framed on display in your home theater or to add to your portfolio or scrapbook! Some dealers buy my lots (see my other auctions) to break up and sell separately at classic film conventions at much higher prices than my low minimum. A worthy investment for gift giving too!
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This LOBBY CARD is an studio release (vintage, from the original Hollywood studio/distributor original) and not a digital copy or reproduction printing.
DESCRIPTION:
We got these lobby cards autographed in person by Patricia Neal on three different occasions over the years. The first when she was on a speaking tour in Dayton, Ohio at the Memorial Hall Thursday, September 21, 2000. The second and third meetings were at Cinecon classic film convention in Los Angeles, California September 1, 2005. Also displayed here are photos from each event.
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CONDITION:
This quality vintage and original Lobby Card is in Near EXCELLENT condition (with just a little patina/hand dirt, eight small pinholes and edge bumps keeping it from being perfect), it has sharp, crisp details and it is not a digital or a repro copy. (SEE PHOTO)   It came from the studio to the theater and then went into storage where the collector I bought them from kept them for many years!  I have recently acquired two huge collections from life long movie buffs who collected for decades… I need to offer these choice items for sale on a first come, first service basis to the highest bidder.
SHIPPING:
Domestic shipping would be PRIORITY and well packed in plastic, with FOUR layers of cardboard support/protection and delivery tracking. International shipping depends on the location, and the package would weigh close to a pound (14-16 ounces) with even more extra ridge packing. I can also ship 1 to 50 lobby cards all for the price of one!
PAYMENTS:
Please pay PayPal! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck…
BACKGROUND:
Washington Story stars Van Johnson as mildly liberal congressman Joseph T. Gresham. For reasons that he can't fathom, Gresham has been targeted for abuse by powerful columnist Gilbert Nunnaly (Philip Ober). Working in cahoots with Nunnaly is journalist Alice Kingsley (Patricia Neal), who pretends to be working on a favorable magazine article about Gresham, but who is actually digging up dirt for Nunnaly's benefit. Ultimately, Alice falls in love with the honest Gresham, standing by him during a moment of profound political crisis. The major selling card of Washington Story was producer Dore Schary's decision to lens the film on location in Washington, offering viewers glimpses of the real-life Congress and Senate in action. Remarkably, the film offers a slightly left-of-center hero at a time when McCarthyism was at its height.
Patricia Neal, the Oscar and Tony Award-winning actress, was born Patsy Louise Neal in Packard, Kentucky, where her father managed a coal mine and her mother was the daughter of the town doctor. She grew up in Knoxville, Tennessee, where she attended high school. She was first bit by the acting bug at the age of 10, after attending an evening of monologues at a Methodist church. She subsequently wrote a letter to Santa Claus, telling him, "What I want for Christmas is to study dramatics". She won the Tennessee State Award for dramatic reading while she was in high school.   She apprenticed at the Barter Theater in Abingdon, Virginia, when she was 16-years-old, between her junior and senior years in high school. After studying drama for two years at Northwestern University, she headed to New York City and landed the job as an understudy in The Voice of the Turtle (1947). It was the producer of the play that had her change her name from Patsy Louise to Patricia. After replacing Vivian Vance in the touring company of "Turtle", she won a role in a play that closed in Boston and then appeared in summer stock. She won the role of the teenage "Regina" in Lillian Hellman's play, Another Part of the Forest (1948), for which she won a Tony Award in 1947. Subsequently, she signed a seven-year contract with Warner Bros.   In the first part of her film career, her most impressive roles were in The Fountainhead (1949), opposite Gary Cooper, with whom she had three-year-long love affair, and in director Robert Wise's sci-fi classic, The Day the Earth Stood Still (1951), which she made at 20th Century-Fox. Warners hadn't been thrilled with her and let her go before her contract was up, so she signed with Fox. With her film career stagnating, she returned to Broadway and achieved the success that eluded her in films, appearing in the revival of Hellman's play, The Children's Hour (1961), in 1952. She met and married writer, Roald Dahl, in 1953, and they would have five children in 30 years of marriage.   In 1957, she had one of her finest roles in Elia Kazan's parable about the threat of mass-media demagoguery and home-grown fascism in A Face in the Crowd (1957). Before she had appeared in the movie, Neal had taken over the role of "Maggie" in Tennessee Williams' Cat on a Hot Tin Roof (1958), the Broadway smash that had been directed by Kazan. Returning to the stage, she appeared in the London production of Williams' Suddenly, Last Summer (1959) and co-starred with Anne Bancroft in the Broadway production of The Miracle Worker (1962).   After appearing in Breakfast at Tiffany's (1961), she had what was arguably her finest role, as Alma the housekeeper, in Hud (1963) opposite Paul Newman. The film was a hit and Neal won the Best Actress Oscar. In 1965, she suffered a series of strokes that nearly killed her. She was filming John Ford's film, 7 Women (1966), at the time, and had to be replaced by Anne Bancroft (who would later take a role she turned down, that of "Mrs. Robinson" in The Graduate (1967)). Neal was pregnant at the time.   She underwent a seven-hour operation on her brain and survived, later delivering her fifth child. She underwent rehabilitation supervised by her husband. She had turned down The Graduate (1967) as she had not recovered fully from her stroke. When she returned to the screen, in 1968 in The Subject Was Roses (1968), she suffered from memory problems. According to her director, Ulu Grosbard, "The memory element was the uncertain one. But when we started to shoot, she hit her top level. She really rises to the challenge. She has great range, even more now than before".   She received an Oscar nomination for her work. Subsequently, new acting roles equal to her talent were sparse. She did receive three Emmy nominations, the first for originating the role of "Olivia Walton" in the 1971 TV movie The Homecoming: A Christmas Story (1971), that gave birth to the TV show The Waltons (1971).   Patricia Neal died on August 9, 2010 in Edgarton, Massachusetts from lung cancer. She was 84 years old.